Tie em up for the fact that I'm kickin ass Ren, gag their mouths so they can't make a sound This is a stick-up, everybody get face-down (Yeah, shoot any motherf*cker that moves) Let's go do this, man, I got it all planned out Yo Ren, you're ready to go get this move? Yeah, I like that part, bring that shit back one more time, Maestro The boy's good, I told you the boy's good You can quote me now cuz I'm still talkin' shit. So when the shit hits the fan it's outta my mouth I might be a women-beater but I'm not a pussy-eater It's about f*ckin' this bitch and that bitchīut not the bitch with the 7 day itch, like that ho'īut she got more crabs than a seafood platter Wait a minute, wait a minute, cut that shit,Īnd you know it ain't about all that bullshit I used to get pussy like eazy here and every day That mothaf*cka'z talkin' all kinds of shit
Grab it like a rabbit, grab it let's wreck it So I told the ho's to take a big step back Just pull your panties down and I'll f*ck the biggest oneĪnd then I get the other pussy put it in the freezer I said f*ck it, I know what should be done It's a funky little rhyme about a bitch or a twoĪnd Sharon said E I want to blow your mind Then I save my nut for when there's nothin' else to doĪs soon as you think that's it I'm still talkin' shit If you f*ck up I'm goin' to get my gage andĬuz I'm puttin' led in your mothaf*ckin' assīecause when I'm on hard my dick's at least a yard You stupid muthaf*ckaaaaaa! Įazily I aproach, the microphone because I ain't no joke Good evening, and welcome to Eazy's playhouse, and the difference would be stark.Still Talkin' When Eazy-E would return with a second solo release, 5150 Home 4 tha Sick, his N.W.A associates would be M.I.A. Straight Outta Compton is no doubt the more revolutionary album, yet Eazy-Duz-It is a great companion, showcasing N.W.A's sense of humor and, despite the often violent subject matter, casting them in a lighter, more humorous mood. Dre's productions, particularly on the four-song sequence of "Eazy Duz It," "We Want Eazy," "Eazy-er Said Than Dunn," and "Radio" - all heavily produced songs with layers upon layers of samples and beats competing with Eazy-E's rhymes for attention. He's at his best here when he's cracking wise and also when he's overshadowed by Dr. This is fortunate because as charismatic as he may be, Eazy-E isn't an especially gifted MC.
The collaborative nature of the music - with Dre and Yella producing the D.O.C., Ice Cube, and MC Ren writing the songs MC Ren featured as a guest on half of them and Eazy-E performing - fortunately makes Eazy-Duz-It more of an N.W.A effort than a true solo album. In terms of songwriting, the D.O.C., Ice Cube, and MC Ren are each credited plus, Ren performs raps of his own on five of the 12 songs. Dre and Yella meld together P-Funk, Def Jam-style hip-hop, and the leftover electro sounds of mid-'80s Los Angeles, creating a dense, funky, and thoroughly unique style of their own. It's no wonder why, for the album plays like a humorous, self-centered twist on Straight Outta Compton with Eazy-E, the most charismatic member of N.W.A, front and center while his associates are busy behind the scenes, producing the beats and writing the songs.
Dre changed the rap game with The Chronic (1992), before MC Ren struggled to establish himself with Shock of the Hour (1993), and before Yella simply fell into obscurity, Eazy-E rose to immediate superstar status with this solo debut. Years before Ice Cube went solo with Amerikkka's Most Wanted (1990), before Dr. Released only a month after Straight Outta Compton (1988), Eazy-Duz-It was the first N.W.A spin-off album.
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